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Concerto for Trombone and Piano
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Concerto for Trombone and Piano accompaniment (piano reduction)
Trombone and Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Class…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00
32.67 €
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Trombone and Piano
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Cherry Classics Music
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Concerto for Trombone and Piano accompaniment
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Gordon Cherry
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SheetMusicPlus
Concerto for Trombone and Piano
Trombone and Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.811191 Composed by Mark Narins.…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages. Gordon Cherry #6069485. Published by Gordon Cherry (A0.811191). Cherry Classics is pleased to introduce Concerto for Trombone and Orchestra 2020 (Piano reduction) by San Francisco based composer/conductor Mark Narins. The concerto is in 4 movements: I. Prayer, II. Meditation, III. Call and Response, IV. Exaltation Here is a description of the work by Mark Narins, the composer: Prayer: The first movement starts with a shimmering tremolo in the strings over which the silver voice of the trombone plays an arching phrase that lingers on an extended appoggiatura. The trombone is a lone mystic reaching for the sky and then falling perilously down to the pedal register. Later the orchestra breaks into a frenetic vamp over which the trombone plays intense ascending scales and passage work. The movement ends with an ascent to a high C#, moving to a final ringing high C. Meditation: After the harp lays out a series of arpeggiated chords, the trombone plays a warm, rich theme in the middle range. The following episodes are variations on this theme. The trombone moves into the upper register, floating with the ease of a lead trombone in a big band. The movement ends with an ascending yearning phrase reaching a high D as the soloist touches the sky and then comes gently back to earth. Call and Response: The orchestral accompaniment starts in an anxious, mysterious tonality. The trombone enters with a burst of energy playing a machine gun series of Fs. The movement develops into a series of short brilliant solo passages answered boldly by the orchestra. This movement showcases the stunning declamatory powers of the trombone. Exaltation: Movement 4 starts as an allegro with intense tremolos in the basses. The trombone breaks out into an articulated driving theme followed by several extended melodic passages. Midway in the movement the strings abruptly lay out a syncopated Latin dance rhythm over which the trombone climbs from the bottom to the top of its range in rapid triplets. In the final codetta the trombone accelerates the dance tempo and climaxes on a series of high C#s in a brilliant and joyous fashion. The concerto is 27 minutes in duration and is appropriate for advanced performers. This version with Piano is a reduction of the full Orchestral version (to be published in the near future). The new Trombone Concerto by Mark Narins is a very exciting piece with dramatic contrasts between the slow and fast sections. The move to the finish of the piece makes for a great wrap-up. It's a real blow for the player, really exploring the range of the instrument. It will be demanding and fun for the trombonist. Ken Andresen, New York freelance musician
$27.50
25.67 €
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Trombone and Piano
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Mark Narins
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Concerto for Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
Romantic Concerto for Trombone with Piano reduction accompaniment
Trombone and Piano
Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Jan Freidlin …
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Piano Accompaniment, Trombone - Advanced - Digital Download Composed by Jan Freidlin (1944-). 21st Century, 20th Century, Romantic Period, Modern. Piano Reduction, Solo Part. 33 pages. Published by Cherry Classics Music
Item Number: S0.703425
Jan Freidlin's lush and beautiful Romantic Concerto for Trombone and Piano (reduction) was composed in 2004 and is in the traditional three movements. The 15-minute work is appropriate for advanced performers.
Below is what the composer has written about his work:
"Written in 2004 , this composition combines three contrasting movements, however their style is not typical of a classical concerto, nor of a romantic work.
The 1st movement - Moderato has a long recitative-like introduction performed by the soloist over a background of aleatoric sounds. The tonality is indefinite with many harmonic changes.
The music gradually builds up more and more leading the listener to the 2nd movement - Vivace energico in which there is, added rhythmic complexity. In the 2nd movement the main motive from the 1st movement is reintroduced and the mood gains in intensity with various syncopated rhythmic phrases as the piano and solo Trombonist accelerate together into a major climax.
With the energy drained out of the music by the conclusion of the 2nd movement the listener is brought to the 3rd movement - Adagietto. This movement is absolutely lyrical, elegiac and unexpectedly tonal. Its main melody has an atmosphere of nostalgia leading to the emotional center of the whole work, the softest climax of the Concerto . The soloist plays it in many tonalities, then gradually this warm wave eases, leaving the listener in a cathartic condition.
The Concerto contains many virtuosic moments for the soloist that sound very expressive and heroic."
Jan Freidlin
The mp3 sample contains a segment of each movement from a live performance of the Concerto performed by the Odessa Philharmonic Chamber Orchestra, Conductor Igor Shavruk and Trombone solist Andrei Sokolov.
$35.00
32.67 €
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Trombone and Piano
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Jan Freidlin (1944-)
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Romantic Concerto for Trombone with Piano reduction accompaniment
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Cherry Classics Music
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SheetMusicPlus
Concerto
Trombone and Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.1207492 Composed by Johann Geor…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.1207492 Composed by Johann Georg Albrechtsberger. Arranged by Adrian Horvath. Classical. Score and part. 36 pages. Horváth Adrián #805659. Published by Horváth Adrián (A0.1207492). Visit my website: https://www.hadrian.huAlbrechtsberger: Concerto for Trombone and PianoParts: Piano, Trombone (Alto Clef), Trombone (Tenor Clef), Trombone (B.C.), Trombone in Bb (T.C.).
$9.99
9.32 €
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Trombone and Piano
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Johann Georg Albrechtsberger
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Concerto
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Horváth Adrián
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SheetMusicPlus
Fantasy Sonata, Op. 40 for Trombone and Piano
Trombone and Piano
Piano Accompaniment, Trombone - Advanced Intermediate - Digital Download Composed by …
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Piano Accompaniment, Trombone - Advanced Intermediate - Digital Download Composed by Benjamin Schroen. Arranged by Keith Davies Jones. 20th Century, Romantic Period. Score, Solo Part. 21 pages. Published by Cherry Classics Music
Fantasy Sonata, Op. 40 for Trombone and Piano by Benjamin Schroen is a work composed in 1900 which was forgotten and now rediscovered by musicologist and conductor, Dr. Keith Davies Jones.
Fantasy Sonata is written in the same virtuoso style as compositions of that period by Joseph Serafin Alschausky, and though quite challenging, it is fully idiomatic for the trombone. There is a passing ?reference? to the Concerto by Rimsky-Korsakov, and it is just possible that Schroen might have been familiar with that work as a trombonist himself. There are also some stylistic similarities to the Fantasia for trombone and organ Op.58 composed in the mid-19th century by Friedrich August Belcke (1795 ? 1874).
The 6.5-minute work featuring several short cadenzas, contrasting dramatic and expressive sections is in Romantic style, in bass and tenor clef and appropriate for intermediate to advanced performers.
$15.00
14 €
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Trombone and Piano
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Benjamin Schroen
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Fantasy Sonata, Op. 40 for Trombone and Piano
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Cherry Classics Music
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SheetMusicPlus
Marcello's Adagio for Trombone and Piano
Trombone and Piano
Piano,Trombone - Level 2 - Digital Download SKU: A0.1198755 Composed by Allesandro …
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Piano,Trombone - Level 2 - Digital Download SKU: A0.1198755 Composed by Allesandro Marcello. Arranged by Diego Marani. Baroque,Classical,Instructional,Standards,Wedding. Score and part. 4 pages. Diego Marani #797836. Published by Diego Marani (A0.1198755). The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715.Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version.This easy arrangement for trombone with piano accompaniment of the marvelous second movement (adagio) of the concerto is suitable for any occasion.
$7.99
7.46 €
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Trombone and Piano
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Allesandro Marcello
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Marcello's Adagio for Trombone and Piano
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Diego Marani
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SheetMusicPlus
Adagio from BWV 974 for Trombone and Piano
Trombone and Piano
Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.1208392 Composed by Johan…
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Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.1208392 Composed by Johann Sebastian Bach. Arranged by Diego Marani. Baroque,Classical,Instructional,Standards,Wedding. Score and part. 5 pages. Diego Marani #806501. Published by Diego Marani (A0.1208392). The Oboe Concerto in D minor, S D935, is an early 18th-century concerto for oboe, strings and continuo attributed to the Venetian composer Alessandro Marcello. The earliest extant manuscript containing Johann Sebastian Bach's solo keyboard arrangement of the concerto, BWV 974, dates from around 1715.Bach's keyboard version was published as an arrangement of a concerto by Antonio Vivaldi in the 19th century. In 1923 the C minor version of the oboe concerto was published as a composition by Benedetto Marcello, Alessandro's brother. In the second half of the 20th century several publications indicated Alessandro again as the composer of the piece, as it had been in its early 18th-century print, and the oboe concerto was again published in its D minor version.This arrangement for trombone with piano accompaniment of the marvelous second movement (adagio) of the concerto is suitable for any occasion.
$8.99
8.39 €
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Trombone and Piano
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Johann Sebastian Bach
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Adagio from BWV 974 for Trombone and Piano
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Diego Marani
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SheetMusicPlus
Concerto in D minor for Trombone and Piano
Trombone and Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.811110 Composed by Johann Sebas…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.811110 Composed by Johann Sebastian Bach. Arranged by Ralph Sauer. Baroque,Classical,Renaissance. Score and part. 16 pages. Gordon Cherry #5042819. Published by Gordon Cherry (A0.811110). J. S. Bach transcribed this lovely work, originally the famous Oboe concerto by Alessandro Marcello (the older brother of Benedetto Marcello) around 1730 and fashioned it into a Harpsichord Concerto No. 3, BWV 974. The work is in three movements, Fast-Slow-Fast and is about 11 minutes in length. For advanced performers, Mr. Sauer has included some ornaments, some which are written out, all in a very tasteful, beautiful style.
$20.00
18.67 €
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Trombone and Piano
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Johann Sebastian Bach
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Concerto in D minor for Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
Adagio Sostenuto from "Piano Concerto No. 2" for Trombone and Piano
Trombone and Piano
Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.1228522 Composed by Serge…
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Piano,Tenor Trombone - Level 3 - Digital Download SKU: A0.1228522 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Film/TV,Instructional,Romantic Period. Score and part. 10 pages. Diego Marani #824600. Published by Diego Marani (A0.1228522). The Piano Concerto No. 2 in C minor, Op. 18, is a concerto for piano and orchestra composed by Sergei Rachmaninov between June 1900 and April 1901. No other concerto by Rachmaninoff was as popular with audiences and pianists alike as his Second Concerto ant it is one of the most often performed concertos in the repertoire. Numerous films borrow themes from the composition and it has also inspired numerous songs, like two ones recorded by Frank Sinatra and Eric Carmen's 1975 ballad All by Myself (sung also by Celine Dion).This arrangement for trombone with piano of the marvelous and very famous second movement is suitable for classroom, repertoire and recital.
$9.99
9.32 €
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Trombone and Piano
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Sergei Rachmaninoff
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Adagio Sostenuto from "Piano Concerto No. 2" for Trombone and Piano
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Diego Marani
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SheetMusicPlus
Concerto in D for Trombone and Piano
Trombone and Piano
Piano,Tenor Trombone - Level 5 - Digital Download SKU: A0.1374004 Composed by Willi…
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Piano,Tenor Trombone - Level 5 - Digital Download SKU: A0.1374004 Composed by William Pagan-Perez. 21st Century. Score and part. 33 pages. William Pagan-Perez #958576. Published by William Pagan-Perez (A0.1374004). Concerto in D is a fresh three-movement piece for trombone solo and the reduction for piano made by composer WIlliam Pagán-Pérez. This concerto was originally for trombone and orchestra.I. ModeratoII. AndantinoIII. ModeratoIt has modern harmonies. With cantabile and motivic phrases. And a danceable twist with a touch of the reggaeton/pop rhythm.
$24.95
23.29 €
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Trombone and Piano
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William Pagan-Perez
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Concerto in D for Trombone and Piano
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William Pagan-Perez
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SheetMusicPlus
Concerto for Trombone and Orchestra (Piano Reduction)
Trombone and Piano
Piano,Trombone - Level 4 - Digital Download SKU: A0.1075341 Composed by Daniel Buki…
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Piano,Trombone - Level 4 - Digital Download SKU: A0.1075341 Composed by Daniel Bukin. Classical,Contemporary,Contest,Festival,Instructional,Standards. Score and part. 36 pages. T.U.X. People's Music #679543. Published by T.U.X. People's Music (A0.1075341). Daniel Bukin explores the full extent of the trombone’s range and capabilities in this stunning new concerto. Each movement explores new material based on an original theme and is sure to captivate any ensemble or audience!
$25.00
23.33 €
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Trombone and Piano
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Daniel Bukin
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Concerto for Trombone and Orchestra
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T.U.X. People's Music
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SheetMusicPlus
Ziriguidum Trombone Concerto
Trombone and Piano
Piano,Trombone - Level 5 - Digital Download SKU: A0.988287 Composed by Arthur Barbo…
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Piano,Trombone - Level 5 - Digital Download SKU: A0.988287 Composed by Arthur Barbosa. Concert,Contemporary,Latin,Standards. Score and part. 36 pages. ARTHUR BARBOSA NETO #6057911. Published by ARTHUR BARBOSA NETO (A0.988287). A Brazilian Trombone Concerto in reduction for Trombone and Piano. All collors of Brazilian music in a exciting piece. Level: Advanced .
$39.00
36.4 €
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Trombone and Piano
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Arthur Barbosa
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Ziriguidum Trombone Concerto
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ARTHUR BARBOSA NETO
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SheetMusicPlus
TRIPLE PACK of Trombone Duets or Euphonium Duets - contains over 50 duets including Christmas, classical and jazz, in B flat treble and concert bass clefs
2 Trombones (duet)
Composed by Newton, Meacham, Handel, Delibes, Bach, Purcell, Beethoven, Ugolino, Sco…
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Composed by Newton, Meacham, Handel, Delibes, Bach, Purcell, Beethoven, Ugolino, Scott Joplin, Gershwin, Johann Strauss II, Mendelssohn, Grieg, Jeremiah Clarke, Mozart, Vivaldi, Tchaikovsky, Charpentier, J. Pierpoint, L. Mason, F. Gruber, J. Mohr, Trad. Arranged by Austin Ralphson. 20th Century, Classical Period, Baroque Period, Christmas, Wedding. Score. 191 pages. Published by Austin Ralphson
This is a book of popular pieces arranged for duet; it comprises both volumes from the '15 Duets for Fun' series, plus the '21 Christmas Duets for Fun' as well, making a total of 51 duets in this set. The difficulty levels range from early-intermediate to advanced, and should provide something for everyone to enjoy. The pieces have been arranged so that both parts are interesting throughout - they often interweave and take on many roles within the music. A duet score is provided for each piece, and the repertoire covers wedding music, slow melodies, traditional Welsh melodies, baroque classics, famous symphonic melodies, piano works, Christmas classics and other popular pieces. Parts are provided in B flat treble and concert pitch bass clefs. This is the full list:
1. Jingle Bells v1
2. Jingle Bells v2
3. Ding Dong Merrily On High v1
4. Ding Dong Merrily On High v2
5. Ding Dong Merrily On High v3
6. Joy To The World v1
7. Joy To The World v2
8. Joy To The World v3
9. Deck The Halls v1
10. Deck The Halls v2
11. Deck The Halls v3
12. O Christmas Tree v1
13. O Christmas Tree v2
14. Silent Night v1
15. Silent Night v2
16. Silent Night v3
17. O Little Town Of Bethlehem v1
18. O Little Town Of Bethlehem v2
19. O Little Town Of Bethlehem v3
20. God Rest Ye Merry, Gentlemen v1
21. God Rest Ye Merry, Gentlemen v2
22. All Through The Night (Welsh trad.)
23. Amazing Grace (Newton)
24. American Patrol (Meacham)
25. David of the White Rock (Welsh trad.)
26. Fanfare from ?Water Music? (Handel)
27. Happy Birthday
28. Largo from ?Xerxes? (Handel)
29. Myfanwy (Welsh trad.)
30. Pizzicati from ?Sylvia? (Delibes)
31. Prelude in C (Bach)
32. La Réjouissance from ?Music for the Royal Fireworks? (Handel)
33. Rondo from ?Abdelazer? (Purcell)
34. Scherzo from Symphony No. 2 (Beethoven)
35. Suo Gan (Welsh trad.)
36. Concerto for Mandolin and Strings (Ugolino)
37. The Entertainer (Scott Joplin)
38. Highlights from Rhapsody In Blue (Gershwin)
39. The Blue Danube Waltz (Johann Strauss II)
40. Six Christmas Pieces, No.5 (Mendelssohn)
41. Für Elise (Beethoven)
42. In The Hall Of The Mountain King (Grieg)
43. Trumpet Voluntary (Jeremiah Clarke)
44. Eine Kleine Nachtmusik No.1 (Mozart)
45. The Londonderry Air / Danny Boy (trad.)
46. Symphony No.5, Mvt.1 (Beethoven)
47. Rondo Alla Turca (Mozart)
48. ?Autumn? from ?The Four Seasons? (Vivaldi)
49. ?Ode to Joy? from Symphony No.9 (Beethoven)
50. March of the Toy Soldiers from ?The Nutcracker? (Tchaikovsky)
51. Prelude from ?Te Deum? (Charpentier)
$39.99
37.32 €
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2 Trombones (duet)
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Newton, Meacham, Handel, Delibes, Bach, Purcell, Beethoven, Ugolino, Scott Joplin, Gershwin, Johann Strauss II, Mendelssohn, Grieg, Jeremiah Clarke, Mozart, Vivaldi, Tchaikovsky, Charpentier, J
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TRIPLE PACK of Trombone Duets or Euphonium Duets - contains over 50 duets including Christmas, classical and jazz, in B flat treble and concert bass clefs
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Austin Ralphson
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SheetMusicPlus
COMPLETE Book of 30 Trombone Duets or Euphonium Duets for Fun (popular classics volumes 1 and 2) - various levels
2 Trombones (duet)
Composed by Newton, Meacham, Handel, Delibes, Bach, Purcell, Beethoven, Ugolino, Scott …
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Composed by Newton, Meacham, Handel, Delibes, Bach, Purcell, Beethoven, Ugolino, Scott Joplin, Gershwin, Johann Strauss II, Mendelssohn, Grieg, Jeremiah Clarke, Mozart, Vivaldi, Tchaikovsky, Charpentier. Arranged by Austin Ralphson. 20th Century, Classical Period, Baroque Period, Wedding, Recital. Score. 135 pages. Published by Austin Ralphson
This is a book of popular pieces arranged for duet; it comprises both volumes from the '15 Duets for Fun' series, making a total of 30 duets in this set. The difficulty levels range from early-intermediate to advanced, and should provide something for everyone to enjoy. The pieces have been arranged so that both parts are interesting throughout - they often interweave and take on many roles within the music. A duet score is provided for each piece, and the repertoire covers wedding music, slow melodies, traditional Welsh melodies, baroque classics, famous symphonic melodies, piano works and other popular pieces. Parts are provided in B flat treble and concert pitch bass clefs. ?This is the full list: 1. All Through The Night (Welsh trad.) 2. Amazing Grace (Newton) 3. American Patrol (Meacham) 4. David of the White Rock (Welsh trad.) 5. Fanfare from ?Water Music? (Handel) 6. Happy Birthday 7. Largo from ?Xerxes? (Handel) 8. Myfanwy (Welsh trad.) 9. Pizzicati from ?Sylvia? (Delibes) 10. Prelude in C (Bach) 11. La R?jouissance from ?Music for the Royal Fireworks? (Handel) 12. Rondo from ?Abdelazer? (Purcell) 13. Scherzo from Symphony No. 2 (Beethoven) 14. Suo Gan (Welsh trad.) 15. Concerto for Mandolin and Strings (Ugolino) 16. The Entertainer (Scott Joplin) 17. Highlights from Rhapsody In Blue (Gershwin) 18. The Blue Danube Waltz (Johann Strauss II) 19. Six Christmas Pieces, No.5 (Mendelssohn) 20. F?r Elise (Beethoven) 21. In The Hall Of The Mountain King (Grieg) 22. Trumpet Voluntary (Jeremiah Clarke) 23. Eine Kleine Nachtmusik No.1 (Mozart) 24. The Londonderry Air / Danny Boy (trad.) 25. Symphony No.5, Mvt.1 (Beethoven) 26. Rondo Alla Turca (Mozart) 27. ?Autumn? from ?The Four Seasons? (Vivaldi) 28. ?Ode to Joy? from Symphony No.9 (Beethoven) 29. March of the Toy Soldiers from ?The Nutcracker? (Tchaikovsky) 30. Prelude from ?Te Deum? (Charpentier)
$29.99
27.99 €
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2 Trombones (duet)
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Newton, Meacham, Handel, Delibes, Bach, Purcell, Beethoven, Ugolino, Scott Joplin, Gershwin, Johann Strauss II, Mendelssohn, Grieg, Jeremiah Clarke, Mozart, Vivaldi, Tchaikovsky, Charpentier
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COMPLETE Book of 30 Trombone Duets or Euphonium Duets for Fun
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Austin Ralphson
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SheetMusicPlus
Concerto
Piano and Orchestra
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by …
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99
22.39 €
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Piano and Orchestra
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Gyorgy Ligeti (1923-2006)
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Concerto for Trombone and Military Band
Concert band
Concert Band - Level 4 - Digital Download SKU: A0.1292690 Composed by Nikolay Andre…
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Concert Band - Level 4 - Digital Download SKU: A0.1292690 Composed by Nikolay Andreyevich Rimsky-Korsakov. Arranged by John Ivor Holland. 19th Century,20th Century,Classical,Romantic Period. Score and Parts. 160 pages. John Ivor Holland #883252. Published by John Ivor Holland (A0.1292690). This bombastic Concerto by Nikolai Rimsky-Korsakov was composed in 1877 whilst still a serving naval officer, for fellow marine musician; it was premiered in March 1878 at Kronstadt, with the international premiere not taking place until the summer of 1952 in New York City. The work consists of three short movements, the second and third including cadenza sections for the soloist. The duration of the Concerto stands at around 10 minutes. Although written for the tenor trombone, the Concerto is standard repertoire amongst bass trombonists, as the composer makes few demands on the very high register of the instrument. Indeed, in common with solo trombone works of the period, the Concerto encompasses the full downward range of the instrument, including in the 3rd movement cadenza notes that are so low as to be usually unobtainable (and therefore played up an octave) by latter-day tenor trombonists. This arrangement has been rescored from the condensed piano arrangement for modern day concert band.
$69.99
65.33 €
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Concert band
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Nikolay Andreyevich Rimsky-Korsakov
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Concerto for Trombone and Military Band
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John Ivor Holland
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SheetMusicPlus
3rd Movement, Rondo, from Mozart's Horn Concerto no.4 0 - Trombone and Piano
Trombone and Piano
Piano,Trombone - Level 4 - Digital Download SKU: A0.729595 Composed by Wolfgang Ama…
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Piano,Trombone - Level 4 - Digital Download SKU: A0.729595 Composed by Wolfgang Amadeus Mozart. Arranged by Anne L Christopherson GRSM ARCM. Classical,Contest,Festival,Holiday,Instructional,Wedding. Score and part. 15 pages. Music-Scores.com #337856. Published by Music-Scores.com (A0.729595). This Rondo from Mozart's 4th Concerto (originally for Horn) is very well known and adored, for its simple and humorous theme which was immortalised by the comedians Flanders and Swann in their song: I once had a whim and I had to obey it, to buy a french horn in a second-hand shop. For Trombone and Piano. Duration 4 minutes. Transcribed by Anne L Christopherson GRSM ARCM at www.music-scores.com.
$3.95
3.69 €
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Trombone and Piano
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Wolfgang Amadeus Mozart
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3rd Movement, Rondo, from Mozart's Horn Concerto no.4 0 - Trombone and Piano
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Music-Scores.com
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SheetMusicPlus
The Secret of Ben Søgen for Bass Trombone and Piano
Bass Trombone and Piano
Bass Trombone,Instrumental Solo,Piano - Level 5 - Digital Download SKU: A0.1130164 …
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Bass Trombone,Instrumental Solo,Piano - Level 5 - Digital Download SKU: A0.1130164 Composed by Elizabeth Raum. Contemporary. Score and individual part. 17 pages. Gordon Cherry #730529. Published by Gordon Cherry (A0.1130164). Here is a brief description of this very fine new work, The Secret of Ben Søgen for Bass Trombone and Piano by the composer, Elizabeth Raum: I’ve always been fascinated by the Nordic heroes that appear in comic books and video games like Thor or Odin. Years ago, I wrote a concerto for tuba called The Legend of Heimdall inspired by Scandinavian folklore, and for this new work for bass trombone, I found myself drawn to the Danish mythical character, Ben Søgen. My concept was to conjure up a video game champion who goes through various adventures to achieve his final quest. However, the Secret of Ben Søgen is that he doesn’t exist. I made him up. My original title was Bone Quest, a pun on the word, trombone, combined with Quest but that didn’t evoke the image I wanted so I decided to create a character from the Danish translation of Bone Quest. Thus Ben Søgen. The Hero Bass Trombonist has a theme stated in the beginning, and this motif continues through a variety of backgrounds (or adventures) before the final major key of his goal being achieved. The work is about 7 minutes in length and appropriate for advanced performers. This work has been edited for bass trombone by Gordon Cherry.
$25.00
23.33 €
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Bass Trombone and Piano
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Elizabeth Raum
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The Secret of Ben Søgen for Bass Trombone and Piano
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Gordon Cherry
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SheetMusicPlus
Largo from Concerto BWV 1043 for Two Trombones and Piano
Trombone and Piano
Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 5 - Digital Download S…
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Instrumental Duet,Piano Instrumental Duet,Piano,Trombone - Level 5 - Digital Download SKU: A0.792264 Composed by Bach, J. S. Arranged by Sauer, Ralph. Baroque,Classical,Renaissance. Score and parts. 12 pages. Gordon Cherry #4799145. Published by Gordon Cherry (A0.792264). The Concerto for Two Violins BWV 1043 is one of Bach's most famous works. The Concerto was probably written between 1717 and 1723 while he was the Kapellmeister at Anhalt-Köthen. The two solo parts are musically intertwined in an almost hypnotic blend of scales and arpeggios and are a joy to perform. The Largo beautifully transcribed by Ralph Sauer is about 7 1/2 minutes in length and is appropriate for advanced performers.
$17.50
16.33 €
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Trombone and Piano
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Bach, J
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Largo from Concerto BWV 1043 for Two Trombones and Piano
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Gordon Cherry
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SheetMusicPlus
Concerto for trombone (piano reduction)
Trombone and Piano
By Leopold Mozart (1719-1787). Arranged by Alain Trudel. For solo trombone and piano. Leve…
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By Leopold Mozart (1719-1787). Arranged by Alain Trudel. For solo trombone and piano. Level 4. Piano reduction. 12 pages. Published by Les Editions Doberman-Yppan (digital)
$10.95
10.22 €
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Trombone and Piano
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Leopold Mozart
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Concerto for trombone
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Les Editions Doberman-Yppan
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SheetMusicPlus
Concerto for trombone (piano reduction)
Trombone and Piano
By G.C. Wagenseil. Arranged by Alain Trudel. For solo trombone and piano. Level 4. Piano r…
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By G.C. Wagenseil. Arranged by Alain Trudel. For solo trombone and piano. Level 4. Piano reduction. 20 pages. Published by Les Editions Doberman-Yppan (digital)
$16.95
15.82 €
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Trombone and Piano
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G
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Concerto for trombone
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Les Editions Doberman-Yppan
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SheetMusicPlus
Nikolai Rimsky-Korsakov: Concerto in Bb major for trombone & piano
Trombone and Piano
Instantly downloadable sheet music by Nikolai Rimsky-Korsakov for trombone & piano of …
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Instantly downloadable sheet music by Nikolai Rimsky-Korsakov for trombone & piano of MEDIUM/HIGH skill level. Contents: concerto for trombone and band / classical,concert
$5.99
5.59 €
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Trombone and Piano
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Nikolai Rimsky-Korsakov
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Virtualsheetmusic
Concerto No. 3
Trombone and Piano
Alto Trombone & Piano - Grade 4+ - Digital Download SKU: R0.50803 K447. Comp…
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Alto Trombone & Piano - Grade 4+ - Digital Download SKU: R0.50803 K447. Composed by Wolfgang Amadeus Mozart. Arranged by Ifor James. Alto Trombone & Piano. Score and parts. 27 pages. Duration 14'23. Editions Marc Reift - Digital #50803. Published by Editions Marc Reift - Digital (R0.50803).
$18.95
17.69 €
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Trombone and Piano
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Wolfgang Amadeus Mozart
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Concerto No. 3
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Editions Marc Reift - Digital
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SheetMusicPlus
Concerto No. 3
Trombone and Piano
Trombone & Piano - Grade 4+ - Digital Download SKU: R0.50804 K447. Composed …
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Trombone & Piano - Grade 4+ - Digital Download SKU: R0.50804 K447. Composed by Wolfgang Amadeus Mozart. Arranged by Ifor James. Trombone & Piano. Score and parts. 31 pages. Duration 14'23. Editions Marc Reift - Digital #50804. Published by Editions Marc Reift - Digital (R0.50804).
$18.95
17.69 €
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Trombone and Piano
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Wolfgang Amadeus Mozart
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Concerto No. 3
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Editions Marc Reift - Digital
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SheetMusicPlus
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